Showing posts with label TLC. Show all posts
Showing posts with label TLC. Show all posts

Wednesday, September 21, 2016

Pebbles Scores Legal Victory In Defamation Case Regarding VH1 Movie 'CrazySexyCool:The TLC Story' As Judge States Case Can Proceed


Pebbles
 
Singer/songwriter Pebbles, real name Perri Reid, scored a legal victory in her defamation case against cable network, VH1 and its parent company, Viacom, who are the makers of the 2013 television movie "CrazySexyCool: The TLC Story." The judge in the case ruled the defamation case can go forward to trial. The defendants are taking a big risk not settling with Pebbles, who has sued them for $40,000,000. 

Pebbles is the former founder and manager of the most successful female singing group in history, TLC. The VH1 network made a television movie of the group's life that drew 5,000,000 viewers in its first airing. Subsequent re-airings were viewed by millions more people. The defamation was widespread and made Pebbles the brunt of hateful, threatening comments on social networking and disparaging articles in the press and blogosphere. 


TLC, L.A. Reid and Pebbles in the 1990s

The film was told from the perspective of the group, who had fallen out with Pebbles years prior, over a contract dispute. Pebbles named the group, trademarked it, auditioned girls to be members and put hundreds of thousands of dollars into making them a success. Pebbles, who was at the top of the charts at the time, also used her music industry contacts to get TLC the best producers, songwriters, video directors and choreographers. Without Pebbles, there would not have been a TLC.   

Pebbles gave the group standard industry contracts all new artists get. However, TLC accused Pebbles of robbing them, which was demonstrably false and later denied by her ex-husband, L.A. Reid, one of the co-founders of LaFace Records, the label the group recorded for during the prime years of their collective career.


TLC's television movie "CrazySexyCool"

L.A. Reid recently stated what the Judiciary Report has maintained from 2013 regarding Clive Davis' Arista Records/BMG reaping the lion's share of the money from TLC (and other recording artists). Reid stated in February 2016, "In fairness to her (Pebbles), she doesn't collect the money from record sales. Record companies do that. At that point, we were in a joint venture with Arista and BMG. So if Pebbles is accused of not paying TLC, then that means that I didn't pay her, which means that they didn't pay me." 

The movie was billed as a true story, not the standard "based on a true story" or a fictionalized retelling of events, which would grant some poetic license and let viewers know the film contains fiction. Upon viewing the film, there were historical inaccuracies and lies. Key details unflattering to TLC were also left out of the television biopic. The 40-plus page Pebbles lawsuit listed 15 lies and inconsistencies in the movie, illustrating she was defamed. For example, lies contained in the movie are Pebbles and TLC had the same lawyer and she controlled the attorney, the group were only paid $25.00 per week, Pebbles fired Chilli, T-Boz told Pebbles she had Sickle Cell prior to signing her contract and asked her to put money before her health, Pebbles did not furnish them with a copy of their contracts, Pebbles was aware Chilli had an abortion and was involved in her decision to do so. It's crazy that they lied like this for a film.

 

Pebbles

VH1 and Viacom even made a retraction stating the film was not a true story but "fictionalized" version of events. However, to those who watched the film, it was billed as a true story. Pebbles was greatly damaged by the public hatred and illegal threats directed at her the moment the film aired. VH1 and Viacom needs to be financially penalized, via punitive damages, for being reckless in what pushed Pebbles into a deep depression. 

You shouldn't play with people's lives like that because you feel you are in a position of authority to film something that's been sensationalized and is not in keeping with the truth. Pebbles and TLC had their differences, but the movie was an inaccurate and unfair retelling of what transpired. No due diligence was done, as business records in the State of Georgia, court documents from TLC's bankruptcy and the second filing of group member Tionne Watkins (T-Boz), as well as label contracts they have in their possession could have been used to develop a clearer picture of what transpired. A deposition in Pebbles' defamation lawsuit revealed the filmmakers relied solely on T-Boz and Chilli's word on what transpired and used it wholesale in the movie without fact checking.


Clive Davis and L.A. Reid. Music industry experts know, Davis is the one who made the lion's share of the money off TLC. However, Pebbles was made the scapegoat.

The movie conveniently left out Atlanta radio station reports of an argument between TLC member Chilli and Pebbles over her cheating with then husband L.A. Reid. The film was not properly researched nor did it use independent industry insiders who could have given an accurate picture of what was the standard in the music industry at the time. 

Former TLC member, the late Left Eye, real name Lisa Lopes, went on to start her own production label, emulating what Pebbles had done with her company Pebbitone. Ironically, Lopes gave TLC look and sound alike group, Blaque, the same type of deal Pebbles had given TLC. It speaks volumes. The same type of record deal is in use in the music industry today.     


TLC today is Chilli (left) and T-Boz (right)
 
In other TLC news, the group is still being slammed over collecting nearly $500,000 in donation money on Kickstarter to make a new album, that is two years later. Many people donated to the effort and nothing had materialized (R&B Group TLC Slammed On Twitter For Collecting $430,000 In Donations For An Album That Has Not Materialized).  

Additionally, the music industry is not what it once was in many ways. It is likely difficult for TLC to get the type of material they are used to from the days at LaFace. I think TLC may have taken on too much, especially with Watkins battling Sickle Cell Anemia. It's great to make an album, but it can get stressful under the wrong circumstances. 

STORY SOURCE

Perri ‘Pebbles’ Reid to proceed with $40M Viacom suit 

September 19, 2016 | 3:48am - An Atlanta federal judge has ruled that R&B act TLC’s creator and former manager Perri “Pebbles” Reid can proceed with a case to sue Viacom for allegedly defaming her in a 2013 VH1 biopic, “CrazySexyCool: The TLC Story.” Viacom filed a motion last year stating Reid had no case, but the judge ruled against it Thursday. Reid signed the band in 1991, and TLC went on to become one of the biggest-selling female acts, with hits like “Waterfalls.” They later filed for bankruptcy, and the film claims Reid only paid the group $25 a week. Reid is seeking $40 million in damages. 

Her lawyer Stacey Godfrey Evans told us: “We are thrilled with this major win against Viacom and look forward to justice . . . Ms. Reid worked hard to ensure the success of TLC, and she is ready to present that story to a jury. The negative portrayal of her in the TLC movie is simply not the truth.”...

http://pagesix.com

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L.A. Reid’s Autobiography Spilled The Secrets Of Ex-Wife Pebbles, Former Partner Babyface, Whitney Houston, The Deele And David Geffen (Among Others)











 
 


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Tuesday, March 29, 2016

L.A. Reid’s Autobiography Spilled The Secrets Of Ex-Wife Pebbles, Former Partner Babyface, Whitney Houston, The Deele And David Geffen (Among Others)


I've been reading the profanity laced book "Sing To Me" by Antonio "L.A." Reid, who is a former drummer and member of the 1980s R&B group, The Deele. It is not a good tome. It makes him look bad, as he has betrayed the confidence of people who are instrumental in his success in the music industry. In the 1980s Reid branched off and partnered with fellow Deele band member, keyboardist/vocalist/songwriter, Kenny "Babyface" Edmonds to form the production duo L.A. and Babyface. In the mid 1980s, when they were just getting started a production team, a music executive referred them to a then up and coming singer, Pebbles, who was about to make her debut. 

Reid had pitch a catchy, funky R&B/pop song entitled "Girlfriend" to Vanessa Williams, who was also about to make her music debut after the terrible Miss America scandal had destroyed her life at the hands of an unscrupulous, money hungry photographer, who sold private, compromising nude photos taken of her years prior in university. Williams verbally agreed to record the song. L.A. and Babyface met Pebbles after Williams had been offered the song. 

When they met Pebbles, Babyface developed a crush on her (and it showed when they sang together that he was smitten with her) thought the song "Girlfriend" was more suited to her than Williams. Pebbles gave them $18,000 for the song and two of her cars (a Mercedes and a Jaguar) in exchange for the tune. The song became a smash. Williams was understandably upset, but she too later went on to great chart success on her sophomore album with the smash "Save The Best For Last." 

Pebbles, L.A. & Babyface became fast friends. Pebbles took them out to champagne dinners and showed them a luxury lifestyle they were not used to as struggling musicians. When she married Reid not long after and they moved to Atlanta to start the LaFace records label, with a deal from Clive Davis' Arista, Pebbles was an instrumental part of the companies success, but for years L.A. took and got all the credit. Pebbles put together, named, styled and placed TLC with producers, songwriters and video directors, which culminated into a big debut. 

Pebbles discovered the singer/songwriter, Tony Rich, who had a massive hit with the song "Nobody Knows It But Me." Pebbles styled Toni Braxton and helped to edit her music videos. Pebbles discovered the group/production team Organized Noize, who went on to produce many urban hits. Pebbles helped him when he had nothing. He even admits it in the book. However he kept taking credit for what she and others did. 


TLC, L.A. Reid and Pebbles in the 1990s

Another example of this is in one chapter he takes credit for TLC, when it was Pebbles' project from start to finish (but claims she took over TLC from him, which is a lie). In the book Reid takes credit for placing the song "Unbreak My Heart" with LaFace recording artist, Toni Braxton, but since the 1990s, Clive Davis was credited with finding the song and sending it to LaFace for her, stating her album lacked a big hit. 

In a 1990s interview on the BET television show "Video Soul" Babyface indicated Reid had ripped him off. Babyface stated he wished he had paid as much attention to the business side of their partnership, as Reid had done. Reid stated in the book Babyface asked for an audit, but was unable to turn up any evidence. However, Babyface did most of the songwriting work, but because they were a production duo, Reid's name went on every song as well. Reid did write a few hits, but Babyface did the bulk of the work in the studio. 

Reid later admitted in an interview that he was privileged to have his name on Babyface songs. It's pretty telling that when Babyface terminated the music production partnership, he went on to write many songs and Reid never wrote another tune. When you're a true songwriter, you don't stop writing because you broke up with your production partner.

Reid takes full credit for the success of LaFace Records when others were instrumental in the company's success. Ironically, when things went bad with LaFace in the early 1990s, beginning with TLC, all the blame was placed on Pebbles, despite the fact they were not getting properly paid by parent company Arista Records and Reid claims in the book she took over the project from him. TLC were never signed to LaFace directly, as they were Pebbles' group she put together. 

Reid allowed, Pebbles, the mother of his child, the woman that helped him when he was broke, to be the scapegoat for what happened, in a terrible situation that completely devastated her. He threw his wife under the bus, letting her be the scapegoat, over not wanting to damage his position in the music industry. He sacrificed her. He put his career ahead of his family and that's not cool (a family he admits he walked out on, children included, in the middle of the night without telling them).

For two decades he let people slander and slam Pebbles on television, in print and online and never said a word. That woman was devastated and he looked the other way. I never respected that. He finally spoke up for her last year stating she is not a thief and did not rob TLC. The group found it out as well, as after they pushed Pebbles out of the picture, they were still broke for years and decided to hold Arista CEO Clive Davis at gunpoint.


Clive Davis and L.A. Reid
 
I admit, TLC being paid $33,000 per year for three years, while Arista made over $100,000,000 off the group is greedy and crazy on the parent company's part. Arista should have compensated TLC more from the beginning of their success when they saw the group was turning a profit. They weren't losing money on TLC. Arista was not fair in this regard.  
 
Reid was also cheating on Pebbles during their marriage. He even admitted writing the 1989 hit song "In The Heat Of The Moment" about seducing his secretary in his office bathroom. The song was a R&B hit for the band After 7. This occurred while he was married to Pebbles, as that was the first time in his life he could afford a secretary and the song was written and released shortly after his marriage to Pebbles. As stated in the column previously, years ago, a cousin of Reid's in Atlanta, who is now a preacher, told me he was cheating on Pebbles with different women. Prior to meeting Pebbles, Reid was going after several women as well. He is a promiscuous man. Marriage seldom changes such a man.

Reid and TLC member Rhozanda "Chili" Thomas played down what went on between the two of them, but they were intimate. That's how Chili got in TLC, with Reid kicking up a fuss over the original third member, Crystal, in order to boot her in favor of his mistress. Reid claims he doesn't know where the story started, but years ago a website wrote about an Atlanta radio station broadcasting the story of Chili and Pebbles being at odds arguing over L.A. Reid's cheating.

In his book, Reid also indicates Chili "kept making eye contact" with him at an audition where she was a backup dancer. Chili's inappropriate behavior with L.A. is apart of the reason the love of her life, TLC producer Dallas Austin, did not show her the full attention he craved. In the TLC biopic, Reid is shown flirting with Chili and it upsetting his then wife Pebbles. L.A. and Chili are playing the public for fools regarding what transpired. 

There is a chapter in the book that puts out the private business of the late, legendary singer, Whitney Houston. Reid wrote of an incident in his book regarding Houston showing up at his and Pebbles' Atlanta home and later began watching a movie with him at night while Pebbles was away on tour:

"Whitney came back to Atlanta one week later and she knocked out these two songs like they were nothing—pow, pow—only now we were used to it. She came back a third time to do some fixes. Aaron had been born and Pebbles was out touring behind her new “album. Whitney called from her hotel to tell me her room had been broken into and she felt uncomfortable at the hotel. Could she use the guesthouse? She showed up with her manager and running partner Robyn Crawford. It was late. I put on a movie in the theater to watch and the phone rang. It was Pebbles, who quickly became upset when she learned Whitney was there. 

“Whitney’s in my house?” she said. “We’re not having that. My husband is not going to sit in my house late at night watching a movie with another girl.” I tried to explain, but she threw a tantrum and I started to get angry. I told her she had nothing to worry about, this was completely safe, platonic, and just us musicians. I got loud and Whitney overheard.
“She’s trippin’, huh?” she said. 

Whitney offered to leave, but I told her my responsibility was to take care of her and everything would be fine. “I don’t want to be in the middle of y’all’s mess,” she said.
Pebbles kept calling back and finally I took the phone off the hook. I was embarrassed. I pride myself on being a professional. I was starting a business, and was now working with—and entertaining—major celebrity superstars. I didn’t need this bullshit. Whitney went to the guesthouse to sleep. 

The next day, Pebbles came home and had attitude with me. She tried having attitude with Whitney, too, but Whitney put out that fire in, like, two seconds. I don’t know what she said, but everything quickly was cool. Whitney invited us all—me, Pebbles, Babyface and his new girlfriend, Tracey (he and his wife had divorced)—to her place, so we all piled on a Delta jet and spent the weekend in New Jersey.'" - L.A. Reid's "Sing To Me"

What was the necessity of including that story in the book. Houston is gone and can't defend herself. Pebbles is no longer your wife. She and Pebbles ended up becoming great friends to the day Houston died. They were even bridesmaids at each others weddings (when Houston wed Bobby Brown and Pebbles later remarried, tying the knot with baseball player, Otis Nixon). Reid betrayed their confidence in putting the story in the book for sensationalism purposes, in order to sell more copies. I find it hard to believe either woman would want that story out there. It was personal. 

It is understandable that a woman would not feel comfortable with the idea of another woman, especially one she does not know well (yet), watching a movie alone with her husband at night in her house, while she is away. Most women would not be happy about that. However, Pebbles didn't know Houston was actually in Atlanta to work and see Bobby Brown, who she had begun dating. Brown became the love of Houston's life. Pebbles misunderstood (and considering L.A. Reid had been dating singer Paula Abdul and others at the same time he was seeing her before they got married, it is easy to see why she was concerned, as you can't trust a man behaving like that). 

Reid also wrote of how in a jealous rage, Pebbles, whom he was dating at the time, smashed up all the glass furniture in his apartment using a broom, as he had Paula Abdul in his place at night on a date. In the 1980s, Abdul was known as an industry mattress. She was the mistress of married Jackson 5 member, Jackie Jackson. Abdul also had a relationship with Arsenio Hall that was lampooned on television.  

Reid also brought up how he took over Arista Records, pushing Clive Davis out of his job, when the latter merged with BMG. I am not fan of Davis or Sony (Davis' Arista was bought by Sony) , due to their chronic acts of copyright infringement in ripping off legendary and lesser known songwriters, producers and artists, but Reid was a Judas to take Davis' job, when the latter was forced out. 

When so many in the industry had rejected funding LaFace Records in the late 1980s, such as David Geffen, Davis was the one who gave them funding. It was a betrayal to stab him in the back and take his job. Much like he betrayed his wife Pebbles...and partner Babyface. In the book, Reid also arrogantly slammed the group the Deele, whom he got his start with, as lazy, for putting their family ahead of the group (in wanting to go to a family party instead of doing more retakes in the recording studio). Reid slammed Janet Jackson in the book. He also took aim at music mogul David Geffen.

Reid has exhibited a pattern of betraying and bad mouthing people who have greatly helped him in life and that's not a good thing (Babyface, Pebbles, Clive Davis, The Deele). I implore my readers not to take that path. Do business the right way. Don't betray or step on people because you can, as it will come back to you in life. Engaging in ruthlessness and betrayals may seem like it is working at first, but make no mistake, everything people do in life, whether good or bad, comes back to them. You reap what you sow.


TLC's television movie "CrazySexyCool"

Side Bar: some of you are probably wondering why I dislike L.A. Reid. I disapprove of his treatment of others, as mentioned above. Additionally, in the infringements of my preexisting copyrights that occurred, a lawyer discovered that my preexisting copyrighted catalog, that industry criminals gained an illegally made copy of through Madonna and her hacker, has been passed around A&R departments at record labels. A second source discovered Reid is one of the people who is in illegal possession of unlawful copies made of my preexisting copyrighted catalog and illegally used items on artists at labels he has been working with, in criminal violation of the law.

As written in the column previously, my copyrighted catalog contains outlines for biopics I want to make ("Alleged Crime Scene Knife Conveniently Found While The People v. OJ Simpson Movie Airs On Television" and "Newly Unearthed Knife In The OJ Simpson Case Is A Fraud With No DNA (Confirming Previous Site Claims)"). Thus far, Madonna, who had my catalog hacked and illegally copied, has gotten those biopics made (and psychotically had her name included in some of the finished biopics that aired on TV, in people's life stories that had nothing to do with her). One of the biopics I wanted to write and direct is TLC's story (the one that aired on VH-1 is not written or directed in the manner I would have done it, as it is slanderous, defamatory and contains lies). 

Firstly, TLC is free to do their life story, as is anyone else, provided an unauthorized production does not use the subject's copyrighted music, logos or any other intellectual property without permission. However, VH-1's TLC biopic had a new song called "Meant To Be" which is an infringement of a PREEXISTING song of the same name in my Library of Congress registered copyrighted catalog. 

Secondly, my name is in VH-1's TLC movie as a character, when I don't know them. I saw T-Boz in a Miami mall once and she and her then boyfriend were looking me in the face, which I had wondered about at the time, but ignored it. However, that does not constitute knowing someone.

Thirdly, Rhozanda "Chilli" Thomas blocked me on Twitter.com, when she's not supposed to even know who I am, I never followed her on the site and I never tweeted anything at her. People block others on Twitter who tweet threats or harassing statements at them. I never did that, not tweeting at her at all. Chilli went out of her way to find my Twitter name and block me, when I don't know her, never met her, never contacted her and did not tweet anything at her and had no intention of doing so. The whole thing is just weird and it's due to all that stealing that went on in the background on their end.

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Saturday, March 5, 2016

Alleged Crime Scene Knife Conveniently Found While The People v. OJ Simpson Movie Airs On Television

Movie Distorts History And Has An Excessive And Embarrassing Amount Of References To The Kardashian Family That Is Out Of Place


People vs. OJ Simpson
Yesterday, police reported that a former officer came forward claiming he found the knife used in 1994 to kill waiter Ron Goldman and Nicole Brown-Simpson, the ex-wife of athlete O.J. Simpson. The knife was reportedly found at the demolition site of Simpson's former Brentwood, California estate that was purchased and knocked down to build a new house. This sounds like a ratings ploy. 

This development is highly suspect, as after years of contamination who knows what is on the knife via DNA or if it had anything to do with the vicious double murders at all. It should be noted, over the years several people have come forward claiming they have found the knife used in the murders. They can't all be right and thus far, none of them have been found to be telling the truth. 


Kris Jenner (previously Kris Kardashian)

The movie is garbage. It is full of lies and inconsistencies. You cannot rewrite history while making a historical film. Revisionists are mentally unsound to do such a thing. For example, the filmmakers questionably wrote in a dramatic scene of prosecutor, Bill Hodgman, collapsing in court from a heart attack, due to Simpson's lawyer Shapiro not disclosing the full list of witnesses. This never happened. A few names had been left of the witness list by Shapiro's office, but Bill Hodgman developed chest pains and was hospitalized during a meeting on the case. Doctors at the hospital later discovered it was stress induced chest pains and not a heart attack.

The film also contains a ridiculous amount of references to the reality TV family, the Kardashians, who were friends with the Simpson. Robert Kardashian Sr., also represented Simpson at trial. It took away from the film's credibility to feature the entire Kardashian family so much in the move. It looked weird, attention seeking and vapid.


People vs. O.J. Simpson movie still of prosecutor Bill Hodgman having a heart attack in court during the trial, which never happened in real life
 
Other inconsistencies include their portrayal of Simpson's famed attorney, Johnnie Cochran. I met Johnnie Cochran in Atlanta, Georgia years ago while on vacation with my family and friends (years after the Simpson criminal trial). We were having lunch at Diddy's "Justins" restaurant in Buckhead, which is a central suburb of Atlanta. Cochran walked in and though we didn't know him and he didn't have to, he came by our table and spoke to us and asked how we were doing. Cochran was there to shoot a commercial in one of the private dining areas of the restaurant. He was a very nice, polite, humble man. He was down to earth, pleasant and walked with a pep in his step. 

This arrogant, haughty, cocky, sinister, uppity portrayal of him in the "People vs. OJ Simpson" TV movie is grossly inaccurate garbage. They got Cochran and his mannerisms all wrong. Furthermore, the producers of the film have no idea what Simpson stated behind closed doors to his wife, children, colleagues at his office or O.J. Simpson, as those were private conversations. To make up the worst possible lines you as a screenwriter could think of to malign a man for doing his job as an attorney, in defending someone, who under the law, had a right to legal representation, is unethical.

 

Johnnie Cochran

I will state this though, O.J. Simpson should have been locked up years prior to Brown-Simpson and Goldman's deaths, for domestic violence. There is proof he repeatedly beat his wife in horrible ways. Regarding the murder trial, due to police tampering, the evidence in the Simpson case was doctored and as such rendered discredited. We know this because there was lab crime scene chemical preservatives (anti-coagulant) on items later found in properties, presented as evidence with blood on it.
That means the blood the forensic scientist drew from Simpson for comparison after the murders, which needed preservatives to keep its structural integrity to some degree, was planted after the fact at his home and other locations involving the crime. Blood splatter at a crime scene will not have forensic lab preservatives on it. It is believe racist police officer, Mark Furman, planted blood on items in a bid to make sure Simpson would be convicted, but it ended up doing the exact opposite, freeing Simpson due to tainted evidence (a tape was discovered of Furman using the n-word 41 times). Some cops need to learn to leave the evidence alone. A good lawyer will find the truth in the unvarnished evidence. When you corrupt the evidence in trying to win a case, another good lawyer will discover that as well and destroy your case.


Racist police officer Mark Furhman planted evidence in the O.J. Simpson case and plead the Fifth (Amendment) when asked if he had done so, denying to answer the question to prevent self-incrimination. Furhman later pled guilty to perjury in the O.J. Simpson case after giving false testimony that ruined the case.

My personal opinion on the murders is this, Simpson is a violent man. So is his son from a previous marriage, who was on antipsychotic medications and questioned by police for drawing a knife on a girlfriend and threatening her (prior to the Brown-Simpson and Goldman murders). Simpson had a history of flying into rages and beating Brown-Simpson. Simpson also had a history of jealousy regarding her (which is hypocritical, as he was cheating on her all the time).  

No one deserves to be brutally murdered, especially in the heinous manner Brown-Simpson and Goldman were killed. Brown-Simpson was stabbed in the head and her throat was slit so deeply, she was nearly decapitated. Goldman was stabbed in the head, face, torso and thighs, even after he was already dead and stopped fighting for his life. Whoever did this deserves life in prison. 

O.J. Simpson and ex-wife Nicole Brown Simpson

I am of the belief O.J. Simpson did this or knows who committed the murders. It also doesn't look good that rather than face the legal charges, he fled in a Bronco. An innocent man would not do that, opting to clear their name. There is also a significant amount of evidence against Simpson that indicates he killed Brown-Simpson and Goldman.  

I do not agree with the fact Simpson was acquitted of murder, yet a civil case awarded the families of Brown-Simpson and Goldman $33,500,000 in damages. The legal precedent is not a good one. However, believing O.J. Simpson either killed Brown-Simpson and Goldman or knows who did it, I'm NOT sorry for him being hit with massive damages in the civil case. They lost their family members and Simpson has a terrible history of abuse regarding his ex-wife.

 

Faye Resnick

Faye Resnick, Brown-Simpson's so-called friend, was squarely out of line writing a salacious tell all book about the decedent. What kind of friend blabs all your secrets in a book. Resnick made Brown-Simpson look bad. Resnick told the whole world Brown-Simpson was a cocaine addict, they had a lesbian sexual encounter, Brown-Simpson slept with one of Simpson's best friends (AC Cowlings), Simpson made Brown-Simpson get breast implants, Brown-Simpson performed oral sex on men while they slept, Simpson stretched out his ex-wife's vagina to the point she only slept with men his size or bigger, giving way to all sorts of racial innuendo and exploitative, offensive Mandingo claims about black men in the book, rendering them to mere sex objects. 

Resnick betrayed the trust of many in her circle to write the tell all book, to feed her cocaine habit and lavish lifestyle. Resnick further exploited Brown-Simpson's death to disgraceful degrees, to promote herself on television and in side projects to make more money. It was very selfish and treacherous. She sold out her friend for fame and money, tarnishing her memory. 


Nicole Brown Simpson and O.J. Simpson

In closing, Nicole Brown-Simpson's life became a sad tale of breaking up a man's marriage and then inadvertently ending up with a raging abuser. Nicole began having sex with married 27-year-old Simpson when she was 17 and working for minimum wage at a night club in 1977. Many jurors in the 1995 murder trial characterized Nicole as "a gold digger" as at age 17, due to regularly having sex with Simpson, he got her an apartment and bought her a Porsche. A woman should not accept such gifts from a married man. Then, she successfully broke up his marriage/family of a wife and three kids.

Nicole was determined to get Simpson and began doing her best to break up his marriage of 10-years to Marguerite Simpson (nee Whitley). Nicole would repeatedly drive by his home in the Porsche O.J. bought her to get his wife's attention. Nicole sent his wife a pair of her underwear in the mail. Nicole pushed and pushed until she succeeded in breaking up his marriage in 1979, resulting in his divorce. Nicole then married Simpson in 1985 after years of insisting he leave his wife and marry her. Nicole succeeded in becoming O.J.'s wife and moving into a mansion with him, living the high life.  





Police photos of Nicole Brown-Simpson after she was beaten up by O.J. Simpson on different occasions. One incident resulted in his arrest, where he pled guilty in lieu of a jail sentence

Simpson then turned into a monster on her. Simpson repeatedly beat Nicole in vicious ways (he did not beat his former wife). Unprovoked, O.J. would beat Nicole, throw her in the closet, then an hour later, go back to the closet and beat her more. He would beat her up at hotels and throw her out into the hall way. He also picked her up and threw her against walls in the presence of others, such as her sister and Resnick. He was very verbally abusive calling her fat, worthless and stating she has no skills, while ordering her to get out of his house. He also kept cheating on her with famous and non-famous women. If she dared ask him about it, he would badly beat her. It was a nightmare of a marriage. No one deserves to be treated that way. At the end of the day, O.J. was not the one for Nicole (and vice versa) and pursuing him led to her tragic demise at age 35 (not because it was an interracial couple, as there's nothing wrong with that).     

I see it all the time in the entertainment industry. Women of all races hungry for money and attention feverishly pursuing rich and famous men, even ones who are married to other women. They go to great lengths pushing other women out of the way who are girlfriends, fiancées and even wives. Then when they get the famous man they aggressively pushed people out of the way to land, they find out it is not all it's cracked up to be when these men become bitter and blame them for their problems. Some end up viciously abused like Nicole. Others end up used for sex like a concubine and dumped when the famous man moves on to the next one. There are women in the industry right now fighting tooth and nail to push other women out of the way, trying to land famous men in relationships that will turn cruel on them. As the phrase goes, "Be careful what you wish for." Some famous men are decent people, but some are not, living debauched lives the average man does not, while hiding behind a fake persona contrived for fans, television, the internet and paid product endorsements. 

Side Bar: In the Aisha v. Madonna lawsuit, among the items contained in my copyrights that were infringed, are outlines to make biopics. Among them are items to make movies about Aaliyah, TLC, Whitney Houston and Bobby Brown, O.J. Simpson, Idi Amin and Martin Luther King, among others. Then all of a sudden, people affiliated with Madonna's Kabbalah Center cult set off in a mad rush to make the aforementioned biopics and very poorly and filled with lies and sensationalism, might I add. They could have made the biopics long ago, especially right after many of subjects thereof passed away, which is the standard, yet waited many years to do so AFTER I included items about making said biopics in my copyrights that are registered with the Library of Congress, then were repeatedly hacked by hackers hired by Madonna and infringed. Pathetic!    
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Wednesday, January 27, 2016

Toni Braxton 'Unbreak My Heart' Lifetime Biopic Movie Glossed Over Many Pertinent Facts



Toni Braxton's "Unbreak My Heart"

On Saturday January 23, 2016, Lifetime aired the Toni Braxton biopic "Unbreak My Heart" executive produced by the singer. The film glossed over a number of pertinent facts in Braxton's life and those associated with her music career. Audiences online on social networking interpreted LaFace Records CEO and music producer, L.A. Reid, as the bad guy, blaming him for Braxton's financial downfall.

Some on social networking also slammed Reid's ex-wife, former recording artist and music manager, Perri "Pebbles" Reid, for Braxton's financial fall as well. However, Pebbles was not a party in the record deal. A few also blamed singer/producer, Kenny "Babyface" Edmonds, who was the co-owner of LaFace Records.

LaFace's parent company, Arista Records, largely owned by music veteran, Clive Davis, made the lion's share of the money. As previously stated in the column, subsidiary label deals, such as the one LaFace Records and Arista Records entered into via a joint venture, always ends up in the artist getting less money, when one of the two other parties does not take a lesser share of the profits. The only way such a deal works to all involved is if the subsidiary and or parent company takes a few points/percent less in the deal. 

All these recording contracts are is a chance to earn money and become famous. An artist is given a loan "an advance" to record an album and cover basic expenses, but that money is recoupable from future record sales. This means it is a loan the entertainer has to pay back before you see any profit as an artist.

When you record for a label like LaFace Records, they will get you the best producers, songs and music videos money can buy. This means your budget will be far greater than a label with lesser resources. However, you have to sell enough albums and singles to recoup those costs from the loan "advance" before you see any financial profit. None of it is guaranteed.


Toni Braxton today

What you are paying for with a big label is their connections via access to top producers, video directors and promotional opportunities on famous television shows and music channels. Indie labels (independent/smaller labels) usually have far less or no connections, which means less people will hear your work (however, the internet and social networking is evening out the playing field where anyone can access your music and videos). 

If your album flops, you don't have to pay the loan ("advance") back. Therefore, you aren't on the hook for loan "advance." However, your album flopping means you will lose your record deal and not have a career as a recording artist (unless you get another deal, which only happens half the time after a flopped debut). The record company retains the view they are putting hundreds of thousands of dollars (sometimes it hits over a million) into launching the recording artist's career, with no guaranty they will see any return on their investment, which entitles them to the greater share of the profits.

It's an industry where you can walk in off the street penniless and become a millionaire entertainer. Labels believe they are to be handsomely rewarded for extending the opportunity of a lifetime, which they should be. However, record deals start off with a very low royalty rate and truthfully, the labels could give a bit more of a percentage to the artist to start. 

Artists need lawyers to properly explain to them what they are signing  Artists also need good, honest managers who have a proper understanding of the music industry and its practices. Braxton's lawyer and manager failed her in this regard. After Braxton's debut album was successful, her manager should have renegotiated her record deal with the assistance of her attorney.


Still from the TV movie "Unbreak My Heart"

Braxton sold 4,000,000 copies of her debut, a certified hit record, which qualified her for a higher royalty rate. LaFace did not tell her this information (though they knew). Neither did her manager and separately lawyer, who may or may not have known. Once again, a more experienced manager and an entertainment industry lawyer would have known these things.

Braxton also made a big mistake in embarking on a massive tour, running up a $4,000,000 tab on staff, travel and sets, with no sponsor. An experienced manager would have known this. Another option would have been Braxton being an opening act for a largely successful veteran artist, where she would not have to shoulder all the cost for an entire tour.

The record industry in America is suffering from its lowest sales to date. People in America are not buying music like they used to do. Recording budgets are lower than ever. Many perks that artists used to enjoy are gone. If any of Braxton's hit records had been released today, they would have sold far less records than she did in the 1990s.

Many modern artists are very cocky and rude with older artists who are no longer enjoying hit records. However, most artists today have even shorter careers than stars in the 1980s and 1990s. It's a cycle and it's shorter than ever. Thing is to be smart about your entertainment career and fame. Learn all you can before you go into it and don't spend unwisely.


A tweet on Twitter regarding the bad casting in the TV movie "Unbreak My Heart" 

Braxton stated this film was a chance to show the world she wasn't some dumb artist, who spent all her money. Braxton is blaming her financial falls on LaFace and Artista. However, the movie glossed over the fact that after LaFace gave her $22,000,000 and renegotiated her recording contract for a higher royalty rate, she did some massive personal spending, as reflected in her second bankruptcy filing.

Even fellow LaFace recording star Usher stated Braxton spent too much money, stating if you are given "$100 you don't spend $99." Braxton has been living lavishly for years, but it is always good to save for a rainy day. When one does a tour or business venture, register it as a corporation, that way you aren't personally liable if things go wrong. Make sure you obtain proper insurance and disclose all pertinent facts. Braxton left out some of her health ailments in trying to obtain insurance, as most companies will not underwrite a star with a Lupus created heart condition.  

The film also left out some of Braxton's sex partners, making her look like a virgin until she met her husband Keri Lewis. Braxton's past sex partners include actor Shamar Moore and L.A. Reid's brother, Bryant Reid, among others. Toni and sister Tamar Braxton were known in the industry for being promiscuous at that time.

LaFace was right to try to rein in Braxton's overly sexual image. People have heavily criticized Braxton for her overt sexual content and raunchy appearance. 99 percent of artists who become true legends, don't have content that is sexually explicit. It detracts from the music and is considered a gimmick.

At the end of the day, Braxton's financial troubles have overshadowed her career. She is most remembered for her financial fall and not her music. No artist wants that, but that is what has happened in this case. Braxton and her family have also strayed far from their roots and it has caused them a world of emotional pain. Braxton's dad, a minister, cheated on her mom in conduct that almost destroyed their family. The Braxton sisters are now mixed up with Hollywood cults, rendering them spiritually confused and vulnerable to trouble.

Braxton's story should be a learning experience for anyone seeking to become an entertainer. Keep your feet on the ground, trust no one in the industry and save money when you can. Braxton's career went into freefall in the space of a few weeks when her album "More Than A Woman" flopped. She has not had a hit since "Secrets." That's how the industry goes. You have to make the most of success while it's there and not be fooled into thinking money will always be coming in from an entertainment career. Spend your money wisely and invest it properly. 

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Tuesday, November 3, 2015

R&B Group TLC Slammed On Twitter For Collecting $430,000 In Donations For An Album That Has Not Materialized


TLC's Kickstarter page reveals 4,201 people donated $430,255 for the group to make its last album

Atlanta R&B duo, TLC, was slammed and mocked on the social networking website Twitter this past Sunday, for soliciting donations for an album that has not materialized. In January of this year, TLC promised an album by October 2015, which as you can tell, was last month. A fan asked TLC member T-Boz about his money ($5) and the album and she told him to call Kickstarter and get his money back (LOL).

The group used Kickstarter to collect $430,000, which is a significant amount of money to raise on said site. It set a record for raising the sum in two days. However, nearly one year has past and the album has not been released. There are indications the CD has not even been made yet, as there has been no real news on the songs being recorded. For $430,000 rapper Chief Keef could make 430,000 albums (I’m kidding). Not to mention, Chief Keef‘s music videos don’t cost more than 99 cents each to make, but he became a millionaire anyway (LOL).

 
The tweet that triggered the trouble and resulted in a #TLCisGoingToJailParty hashtag on Twitter that saw the group made funny of in hilarious ways

After yesterday’s problems, TLC announced an album will be released next year. TLC’s last album, 2002’s “3D” did not fare well on the charts or in sales. Since the 2002 death of former group member, Lisa “Left Eye” Lopes, who died in a car accident, their sales have plummeted. The public has not gotten used to the idea of TLC being a duo, after achieving multi-platinum success as a trio.

Times have also changed since TLC’s last successful CD, 1999’s “Fan Mail.” Due to advances in technology, it’s easy to make an album now for $430,000 (you could make more than one for that figure). However, the caliber of producers TLC are used to working with will still charge $250,000 to $500,000 per song. The average album contains at least 10 songs, so this poses a slight problem. TLC will have to find new producers, who charge far less…or give the project to one of their former producers, such as Jermaine Dupri, who is broke and bankrupt and might do the whole project for $200,000. However, Dupri hasn’t had a hit in a long time and was sued several times for copyright infringement.


TLC

During TLC’s hay day, the music industry was booming in the sales department. TLC’s top album “CrazySexyCool” sold over 10,000,000 copies in America and 20,000,000 worldwide. That does not happen anymore. The American public has turned off the music industry in the United States. The music industry in America is now a shell of its former self in terms of business and creativity. Albums that go number one in America now often sell 50,000 copies in their debut week, when CDs used to sell 500,000 to 1,000,000 in that same time frame a decade prior.

Another noted change is the quality of music has greatly declined. Many artists that have been signed to deals do not have talent. They were signed for looks and nothing else. Another issue is many artists, songwriters and producers are stealing music and the public in turn are refraining from buying, opting to download songs for free on illegal sites. Hey, you lead by example.

New independent artists are making albums for $5,000 (in some cases less) but they do all the work themselves or in tandem with hungry new producers, who are willing to accept less money up front with the hope of receiving greater royalties constituting the real money if the project is a success.

 

Chilli blocked me on Twitter when I've never tried to speak to her nor have I ever been following her on the site

Side Bar: As Twitter slammed and made fun of TLC yesterday, I went to the ladies pages to see their reaction. There was not much of one on T-Boz’s page (Tionne Watkins). However, I discovered yesterday that Chilli (Rozanda Thomas) has blocked me (I couldn't stop laughing). However, I had never asked her a question on Twitter or followed her account. My only encounter with any member of TLC was in a Miami mall when T-Boz and then boyfriend Dalvin of Jodeci stared me in the face like they knew me.

It is strange (Chilli) to block someone who is not contacting you and I haven't contacted them in any way. The whole thing stems from me trying to uplift TLC’s former manager, Pebbles (Perri Reid), who is now a Christian minister that was savaged in their biopic and online. I also tweeted at Pebbles on Twitter to clear up a false story online by a man claiming to be her secret son, which I did not believe to be true, as she is a woman who proudly shows off her kids to the public. Pebbles responded and cleared up the story. Chilli has me off for that as she still has animosity towards Pebbles.

Chilli also has me off for writing about her affair with Pebbles’ ex-husband, former LaFace Records co-owner, L.A. Reid (I met Reid's cousin in Atlanta years ago through a good friend and she told me some things, nothing that betrayed him, just the facts that were a bit sad and it had to do with his cheating during his marriage to Pebbles). I didn’t agree with what Chilli did in that she edged out former TLC member Crystal Lewis by having sex with L.A. Reid, behind Pebbles’ back, which got her placed in the group, in what was a betrayal of the woman who made her famous (Pebbles). That must have been very hurtful.

I know they all had their disputes with each other, but Pebbles was blamed for everything, when Clive Davis is the one who received the lion’s share of the money (the group figured it out later and held him at gunpoint in his New York office demanding their money). Now the deal Pebbles gave TLC is common in the American music industry, yet she was vilified for it by the group. Here’s hoping one day they will all make peace with each other. Life is too short for all the strife.

Side Bar 2: Chilli, for blocking me when I didn‘t even tweet at you, may your baby hairs never lay flat on your forehead again. To my readers: trust me, for one black woman to say that to another, it’s a terrible insult (LOL). It’s like one white woman telling another white woman, may you never enjoy another Starbucks again!

STORY SOURCE

Black Twitter Throws #TLCIsGoingToJailParty After Possible Album Swindle [Photo]

Nov 2 2015, 8:17am - At the top of year, TLC launched a Kickstarter to raise money for a new album. They easily reached their goal but that album? Yeah, it never happened. They could be taking their time here. It’s easy to throw an album together after you raised over $430,000 from fans, but maybe they want to give you your money’s worth? At the same time, it probably doesn’t help that T-Boz flipped on a fan for trying to get a refund. The response was #TLCisGoingToJailParty, a hashtag born from anguish, and pure hilarity. TLC is now promising a new album next year.

 

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Friday, May 22, 2015

First TLC's 'Honey Boo Boo' Cancelled Over Molestation Case Now '19 Kids And Counting' As Well

 Second TLC Show Pulled Over Cast Member Molestation Claims


"19 Kids And Counting" cast

Last year the TLC network reality show "Here Comes Honey Boo Boo" was cancelled over claims one of the cast members, Anna "Chickadee" Cardwell, was molested when she was underage by her mother's boyfriend, Mark McDaniel, who is now back in her parent's life after his release from jail. "Mama June" real name, June Shannon, betrayed her daughter in this respect leading to public outrage and fears for her underage daughter's safety (Alana "Honey Boo Boo" Thompson).

Today, the TLC reality show "19 Kids And Counting" has been cancelled over news Josh Duggar, 27, molested five girls, among them some of his sisters, via "forcible fondling" when he was 12-years-old. The matter was reported to police by his parents when he was a minor. Duggar, who is now a Christian, stated he has asked God for forgiveness and mercy (God can forgive him, but he must refrain from engaging in molestation, as it is very wrong and extremely harmful to victims).


Josh Duggar, his wife and children

Molestation is a serious crime that greatly damages its victims. The girls Duggar molested, including his sisters, will need extensive therapy to help them cope with the trauma of what transpired. The entire Duggar family should also receive extensive therapy, as the molestation that occurred must have shattered their family. Josh Duggar's conduct as a minor indicates serious mental illness that must be properly addressed and treated by health care professionals.

TLC needs to do more to vet its reality shows to spare the public heartbreak. Real life revelations about the shows "Here Comes Honey Boo Boo" and "19 Kids And Counting" has caused the public distress.
Molestation and other sex crimes should not be swept under the rug. They should be publicly discussed in an effort at prevention and healing for those affected. However, it should not be done via the public getting terrible surprises and shock, via reality shows with inaccurate representations of cast members, as has occurred with the aforementioned TLC shows.

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Tuesday, October 28, 2014

Honey Boo Boo's Mother Dating Pedophile That Molested Her Daughter And Bought Him A Car


Mama June and Mark McDaniel and Honey Boo Boo (Alana Thompson)
 

TMZ is reporting that Mama June, the mother of 9-year-old "Here Comes Honey Boo Boo" reality star Alana Thompson, is dating a man that molested one of her underage daughter and went to prison for it. Mark McDaniel, was recently released from prison, after serving 8-years behind bars for molesting Mama June's then 8-yearpld daughter, Anna Thompson. 


Mama June and Mark McDaniel

TMZ obtained photos of June in bed with McDaniel, as well as car and house shopping with the convicted child molester, that were taken recently, after his release from prison. The TLC network cancelled "Here Comes Honey Boo Boo" last week due to the erupting scandal. There is also a photo of McDaniel in the family's home, with his hand on Honey Boo Boo's shoulder. The photo was taken recently and published without the family's consent. 


Mama June and Mark McDaniel

It's time for Child Services (DCF) to intervene in this situation. There are minor children in Mama June's care and she has brought a pedophile in their midst, not to mention, one that harmed her own innocent daughter. Mama June's judgment is extraordinarily poor and the government needs to step in for the sake of her kids. 


STORY SOURCE

Mama June EXPOSES Honey Boo Boo to Child Molester

10/26/2014 12:35 PM PDT BY TMZ STAFF - Mama June has not only been lying ... she's been exposing her young daughter to a child molester.

Take a look at this pic -- taken last month. A smiling June sits on a staircase as her 9-year-old daughter, Honey Boo Boo, is touched gently by the hands of a man who forced oral sex on another one of June's children ... who was a year younger than Honey Boo Boo when she was violated.

June lashed out after we posted a pic of Mark McDaniel -- fresh out of prison -- and her in a hotel room, claiming she hadn't seen him since he was released from prison in March. But then we posted pics of the 2 of them shopping for a house. And then we posted a pic of June buying him a car. But now ... here is Mark McDaniel, a registered sex offender, making contact with a young girl. 

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